18,399 Royalty-Free Audio Tracks for "Drone (music)"

The Armstrong Twins and Harold Hensley perform Stuck Up Blues, Mandolin Boogie and Bill Cheatum at KXLA's Hometown Jamboree on July 4, 1949. The Hometown Jamboree was one of the west coast's most popular barn dance shows and was led by Cliffie Stone. On Bill Cheatum, Harold Hensley is on fiddle and Eddie Kirk plays guitar. Die Armstrong Twins und Harold Hensley spielen den Stuck Up Blues, den Mandolin Boogie und Bill Cheatum live im KXLA Hometown jamboree am Abend des 4. Juli 1949. Harold Hensley wird bei Bill Cheatum von Eddie Kirk an der Gitarre unterstützt.

Ogg Vorbis sounds file of scale: C Melodic minor

it's time for Holy Russia, the national anthem of Red Russia (Galicia). Пора, пора за русь святую, национальный гимн Краснорусь (Галиция). Pora, pora za świętą ruś, hymn narodowy Czerwono Ruś (Galicja).

Jazz Violin Solo

Use of the pentatonic scale in Debussy's Voiles (1910), Prelude. 2, mm.43-45.

Suite espanola op. 47 - leyenda

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

Ramblin' Tommy Scott performs the traditional tune She'll Come Be Rolling Around The Mountain

Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.

Final de la Symphonie N°1 de Louis Vierne - Cathédrale de Monaco 2004

sound sample from Symphony Fantastique, Berlioz

Dixie Jass Band One-Step, composed by J. Russel Robinson, Nick LaRocca, and Joe Jordan. Recorded by Original Dixieland Jass Band in New York in 1917 (Victor 18255-A)[1].

Rumores de la Caleta Op 71 by Isaac Albéniz

Bassoon Concerto in Bb major - Allegro This recording of Arthur Grossman of the Mozart Bassoon Concerto in Bb major was made in Bordeaux France in 1957 with the 7th Army Symphony Orchestra conducted by Ling Tung.

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Choro polka "Cruzes, Minha Prima!", composed by Joaquim Antônio da Silva Callado in 1875[1]. Recorded in 1913 by Agenor Bens (Flute) and Arthur Camilo (Piano) Português: Choro polca "Cruzes, Minha Prima!", composta por Joaquim Antônio da Silva Callado. Gravada em 1913 por Agenor Bens (Flauta) e Arthur Camilo (Piano) 1: Choro-Polka: Cruzes, Minha Prima!, komponiert 1875 von Joaquim Calado, Aufnahme 1913 von Agenor Bens (Flöte) und Arthur Camilo (Klavier).

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Marsz żałobny c-moll op. posth 72 nr 2Chopin's Funeral March, Op. posth. 72 no. 2; performed by Aya Higuchi; via Musopen.日本語: ショパン作曲『葬送行進曲』作品番号72-2、ヒグチ・アヤによる演奏。Musopenより入手。

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano. Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5.

Artur Nikisch (1855–1922) plays Johannes Brahms: Hungarian Dance No. 5. Recorded February 9 1906 for Welte-Mignon reproducing piano.Artur Nikisch (1878-1936) spielt Johannes Brahms: Ungarischer Tanz No. 5. Aufgenommen 9. Febr. 1906 für das Welte-Mignon Reproduktionsklavier.Italiano: Artur Nikisch (1878-1936) suona il brano Danza Ungherese n°5 di Johannes Brahms. Registrato il 9 Febbraio 1906 con il pianoforte meccanico automatico Welte-Mignon.

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 3 from Spirit of the Land (2001).[1][2][3] Credits: Soprano Patricia Wolfe, soloist Conductor Chad Steffey

w:Turkey in the Straw by the United States Air Force Strings. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Turkey in the Straw par les États-Unis Air Force Strings. De l'album 2000 Collage , enregistré à l'installation United States Air Force Band Enregistrement , Bolling Air Force Base, Washington D.C. 18 au 26 mai , 2000. Numéro de catalogue BOL -0006 , le premier lieutenant Keith H. Bland , chef d'orchestre .

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - I. Adagio, allegro na non troppo

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Arirang performed by the Airmen of Note of the United States Air Force Band. Track 6 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Skip to My Lou performed by the Singing Sergeants of the United States Air Force Band. Track 3 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commading officer.[1]

Gloria Patri et Filio et Spiritu i Sancto Sicut erat in principio et nunc et semper et in secula saeculorum Amen. Extracto de Beatus Vir de Joan Cabanilles Gloria Patri et Filio et Spiritu i Sancto Sicut erat in principio et nunc et semper et in secula saeculorum Amen. Extract from Joan Cabanilles' Beatus Vir

A record of WNOX's Tennessee Barn Dance airing every saturday night. Emcee was Lowell Blanchard. The first tune to hear on this recording is the theme song "Gonna Raise A Ruckus Tonight", later Larry Mathis plays the "Dixie Breakdown" with the barn dance band. Ein Ausschnitt aus dem WNOX Tennessee Barn Dance, der jedeb Samstanabend gesendet wurde. Moderator war Lowell Blanchard. Der erste Titel in dieser Aufnahme ist "Gonna Raise A Ruckus Tonight". Später spielt Larry Mathis zusammen mit der Hausband den "Dixie Breakdown".

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:45, 21 January 2017 (UTC)) styczeń 2017.

Douglas, Mephistopheles by Illinois Brass Band

The Fighters of Korea (traditional U.S. Air Force songs including "Will You Go Boom Today" [a.k.a "If you fly"], "Itazuki Tower" [a.k.a. Air Force 801, set to "Wabash Cannonball"], and "Jet Combat" [a.k.a "Song of the Sabres" or "The Mission"] performed by the Concert Band of the United States Air Force Band. Track 10 from Heritage to Horizons (2007). Previously published as track 4 from United States Air Force 40th Anniversary (1987).[1][2][3]

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

Skip to My Lou performed by the Singing Sergeants of the United States Air Force Band. Track 3 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commading officer.[1]

The traditional country song "Ride Old Buck to Water", performed by Gid Tanner and his Skillet Lickers

Sakura performed by the Airmen of Note of the United States Air Force Band. Track 1 from Global Reach (2018).[1] Credits: Commander and conductor - Col. Larry H. Lang Alto Saxophone, Soprano Saxophone, Flute, Alto Flute – Technical Sgt. Mike Cemprola* Alto Saxophone, Soprano Saxophone, Flute, Alto Flute, Piccolo Flute – Senior Master Sgt. Tyler Kuebler* Baritone Saxophone, Bass Clarinet – Master Sgt. Doug Morgan* Bass – Technical Sgt. Cameron Kayne* Bass Trombone – Master Sgt. Benjamin Polk* Drums, Percussion – Master Sgt. David McDonald* Guitar – Master Sgt. Geoff Reecer* Piano, Electric Piano [Fender Rhodes] – Technical Sgt. Chris Ziemba* Tenor Saxophone, Clarinet – Master Sgt. Grant Langford* Tenor Saxophone, Flute, Clarinet – Master Sgt. Tedd Baker* Trombone – Master Sgt. Ben Patterson*, Master Sgt. Jeff Martin*, Master Sgt. Kevin Cerovich* Trumpet – Senior Master Sgt. Brian MacDonald*, Chief Master Sgt. Kevin Burns*, Technical Sgt. Logan Keese*, Technical Sgt. Luke Brandon* Vocals – Technical Sgt. Paige Wroble*

Duo de Trompettes pour orgue - de la Suite pour Orgue en ré majeur de Jean-François Dandrieu

An a cappella, choral arrangement of the traditional American folk song "Shenandoah" performed by the Singing Sergeants of the United States Air Force Band. Track 9 from America (2017). Recorded between January 2015 and March 2017 at Rachel M. Schlesinger Concert Hall, Joint Base Anacostia-Boiling, and Bias Studios. Featuring soloist Master Sgt. Emily Wellington.[1]

Valsa choro "Falena", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1913.

Duo de cors de chasse pour orgue (bombarde et trompette) - de la Suite pour Orgue en ré majeur de Jean-François Dandrieu

Symphony no. 9 in E minor From the New World Opus 95, 2nd movement (Largo)(1893). Italiano: Sinfonia n° 9 in Mi minore Dal nuovo mondo Opus 95, secondo movimento (Largo) (1893). Symphonie n° 9 en mi mineur Du Nouveau Monde Opus 95, deuxième mouvement ("Largo") (1893).

Title Lullaby wound up clock "Guten Abend, Gute Nacht" Artist stephan Original mp3 data Length:0:46 minutes (1.07 MB) Format:MP3 Stereo 44kHz 192Kbps (CBR) User tags Baby, chiming, Crib, Kids, Lullaby, Melody, romantic, Sleep, toy, winding, wound up clock Type Single Subject, Natural, Tone / Tune PDSounds record number 368 Comment Melody is Johannes Brahms, op.49, Nr 4

Freischutz Quickstep performed by the Concert Band of the United States Air National Guard Band of the Southwest. Track 2 from American Songs (2005).

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

Brief musical illustration from Beethoven's Fifth Symphony, played on an acoustic piano by Opus33.

Chopin: I Koncert fortepianowy e-moll op. 11, nr 1. Allegro maestosoChopin - Piano Concerto no. 1, Op. 11 (string quartet)-1. Allegro maestoso

Horn excerpt from Brahms' first symphony second movement.

This putchy note (D natural in this case) is used for both melodies and bass sounds in Russian hardbass music.